THE RULES OF MAGIC BY ALICE HOFFMAN {ARC review}

Hardcover, 384 pages

Expected publication: October 10th 2017 by Simon Schuster

Rating: ★★★★

I received this copy from the publisher via NetGalley, in exchange for an honest review.

The Rules of Magic is a prequel to Hoffman's classic Practical Magic, perhaps even more beloved because of the 1998 movie starring Sandra Bullock and Nicole Kidman. I confess that though I have seen the movie many times, I've never read the book it was based on. Luckily, as this is a prequel, it does not matter one whit whether you've read it or not.

In this story, you're treated to a previous generation of Owens siblings: Frances, called Franny; Bridget, called Jet; and the first son born to the Owens family, Vincent. All three are imbued with the magic of their bloodline and when the story starts they are curious teenagers shuffling from their Manhattan home to the small Massachusetts town where the Owens house on Magnolia Street has stood for 300 years. It's this summer that truly starts their journeys towards themselves, towards acceptance of who they are and the magic they wield. Many years pass within the novel, something that on occasion left me slightly confused as to the ages of the Owens, but you follow them along from teenagers until Sally and Gillian of Practical Magic come to live with them as children.

I was thoroughly enchanted by The Rules of Magic. It reads like a fairytale or a bedtime story being told to the reader, pulling you in, wrapping you in the lives of the Owens siblings. Each sibling is different, coming to accept themselves and their magic at different times, each of their voices unique. Romantic and gentle without venturing into 'romance novel' territory, Franny, Jet and Vincent each have vastly love stories that nevertheless leave their marks. I found each of them so enjoyable and my desire to know each character was fulfilled in such a satisfying way.

Three themes reiterate themselves throughout the novel: that being the most authentic version of yourself is important above all, not to live a little but live a lot, and that the only remedy for love is to love more. Vincent, Jet and Franny all struggle with each concept, taking steps forward only to take more steps backwards. As the reader, you're aware of where Jet and Franny end up, as aunties wise in the ways of magic and love, so to see these characters not only young but conflicted and combative about their own natures is fascinating. Vincent in particular is a revelation because he's unique to this story; it's easy to connect to him and the affection that Franny and Jet have for him matched my own.

Overall, I found The Rules of Magic to be a, well, magical story following the trials and loves of three intriguing characters.

SWEARING OFF STARS BY DANIELLE WONG {ARC review}

Paperback, 280 pages

Expected publication: October 3rd 2017 by She Writes Press

Rating: ★★★

I received this copy from the publisher via NetGalley, in exchange for an honest review.

Swearing Off Stars is about a young American named Amelia, called Lia, in England to attend a semester of university in the 1920s. There she meets Scarlet, a beautiful aspiring actress and activist, who is part of a group pushing to allow women to actually matriculate and earn degrees. Lia joins the group, finding purpose in the gender equality group and finding love with Scarlet. However, Scarlet lives in fear of their homophobic society and of their relationship being discovered. Their relationship falters and Lia moves back to America, attempting to move on from Scarlet until she finds a letter in her father's study many years later that inspires her to seek Scarlet out and perhaps rekindle their love affair.

I wish there was more to the plot, but unfortunately that's pretty much it. Probably my biggest criticism is that Swearing Off Stars is too short. Far too short. I wanted to invest in these characters and once I realized that the book spanned decades I wanted to know far more than the story offered. Thirty years passes between the beginning of the story and the end, yet the characters seem to grow more flat and dull as the story progresses rather than richer and more vibrant. We learn the most about Scarlet and Lia as college students, but the years between their meetings are summed up in a few quick paragraphs. That was intensely frustrating for me as Danielle Wong is clearly not without talent but there just wasn't enough of the story to elevate it.

There's not much differentiating the narration of Scarlett and Lia, despite Lia being an American and Scarlett being British; both their internal and external voices sound alike. As the years wore on, I wanted their voices to become more distinct. Scarlet lived the life of a movie star and Lia was a journalist and, during WWII, a military medic. Their adult voices should have felt very distinct and distant from when they were naive university students. Scarlet's surprisingly short perspective chapters almost seem as if they're there to remind you that the their love is mutual. I'm not sure whether that works entirely.

One thing I liked quite a bit, but like everything else suffered from lack of development, was Lia's relationship with her boyfriend-turned-best-friend. He goes from being in love with her to a lifelong best friend that deeply cares for her and their relationship is sweet and steady.

As it is now, homophobia was a spectre hanging over the lives of the queer characters in the story. However, I found the characters' conitnued behaviour frustrating. Queer people have always existed and found ways to exist, yet Scarlet was unable to even attempt it. Back in New York, Lia maintains a long term relationship with another woman, even living with her. Scarlet's reticence felt less related to the sword of homophobic Damocles than to her own issues, but this was not fleshed out at all. It stood out for me because Lia and Scarlet seemed to live lives completely separate from any sort of queer community or connection as well as being met with acceptance from almost all who find out about their lesbianism.

Ultimately, I enjoyed Swearing Off Stars as queer historical novels aren't nearly as popular as contemporary ones and because Danielle Wong clearly has talent, but it was just too short, lacking the depth of character that I need to get really connected to a story.