ebook
Expected publication: September 1st 2017 by Bold Strokes Books
Rating: ★★
I received this copy from the publisher via NetGalley, in exchange for an honest review.
I don't usually pick up lesbian romances because they're largely not to my tastes, but Beauty and the Boss sounded quick and fun. Unfortunately for me, it was neither.
Ellis is a famous fashion designer and Charlotte is an single mother and aspiring designer granted an internship with Ellis. Ellis, Charlotte and Charlotte's 10 year old daughter Sawyer, already a talented artist, soon take off for New Orleans to prepare for fashion week. Almost immediately one of two copies of the all important book of designs for fashion week is stolen by Ellis' vindictive coworkers and the entire line needs to be replaced. The tension rises as Ellis and Charlotte battle their pasts and their romantic feelings for each other, all while tirelessly work towards salvaging their fashion week.
The main characters, Ellis and Charlotte, work together and fall madly in love quickly, for no real reason as far as I can tell. The emotion just wasn't there. I couldn't connect with them at all and that was a huge disappointment for me. I wanted to like them so much but they were never elevated to vibrant characters who feel real.
Stylistically, the writing didn't do much for me. There are a few things that Vali did that I find amateur-ish, like how a character is always introduced in ways that felt like high school creative writing style.
This sort of thing always pulls me out of a story, as it's an awkward and amateurish way to introduce characters and starts to stick out the more it's used. The sentences were in a simple, almost a fanfic-style, that prevented me from ever really connecting with the characters that I really wanted to connect with. I actually had a really hard time differentiating between who was speaking at any given time, that's how similar every character's voice was. The 10 year old girl sounded the exact same as worldly journalists and international fashionistas.
The main antagonists, Jennifer and Dalton, are hollow, evil caricatures when they're introduced and remain that way the entire story. I don't particularly expect villains to grow and change in the same way I expect the protagonists too, but there was no real explanations for their hatred of Ellis. Despite having a multitude of perspective chapters, I never felt like I understood more about them as people. They were both willing to enact horrible betrayals, ruin families and commit crimes, but their motives lacked any real emotional correlation. Why give them perspectives within the narrative at all if there's no complexities within the characters at all?
In the end, these things made what was actually a fairly short book feel like I was slogging through it, finishing more for completion's sake than enjoyment.
I don't usually pick up lesbian romances because they're largely not to my tastes, but Beauty and the Boss sounded quick and fun. Unfortunately for me, it was neither.
Ellis is a famous fashion designer and Charlotte is an single mother and aspiring designer granted an internship with Ellis. Ellis, Charlotte and Charlotte's 10 year old daughter Sawyer, already a talented artist, soon take off for New Orleans to prepare for fashion week. Almost immediately one of two copies of the all important book of designs for fashion week is stolen by Ellis' vindictive coworkers and the entire line needs to be replaced. The tension rises as Ellis and Charlotte battle their pasts and their romantic feelings for each other, all while tirelessly work towards salvaging their fashion week.
The main characters, Ellis and Charlotte, work together and fall madly in love quickly, for no real reason as far as I can tell. The emotion just wasn't there. I couldn't connect with them at all and that was a huge disappointment for me. I wanted to like them so much but they were never elevated to vibrant characters who feel real.
Stylistically, the writing didn't do much for me. There are a few things that Vali did that I find amateur-ish, like how a character is always introduced in ways that felt like high school creative writing style.
Fashion designer Ellis Renoir...
Her best friend and partner Rueben Maddox...
"Do you have everything set?" Jennifer Eymard asked Dalton Burton as they had lunch at the Clocktower restaurant.
This sort of thing always pulls me out of a story, as it's an awkward and amateurish way to introduce characters and starts to stick out the more it's used. The sentences were in a simple, almost a fanfic-style, that prevented me from ever really connecting with the characters that I really wanted to connect with. I actually had a really hard time differentiating between who was speaking at any given time, that's how similar every character's voice was. The 10 year old girl sounded the exact same as worldly journalists and international fashionistas.
The main antagonists, Jennifer and Dalton, are hollow, evil caricatures when they're introduced and remain that way the entire story. I don't particularly expect villains to grow and change in the same way I expect the protagonists too, but there was no real explanations for their hatred of Ellis. Despite having a multitude of perspective chapters, I never felt like I understood more about them as people. They were both willing to enact horrible betrayals, ruin families and commit crimes, but their motives lacked any real emotional correlation. Why give them perspectives within the narrative at all if there's no complexities within the characters at all?
In the end, these things made what was actually a fairly short book feel like I was slogging through it, finishing more for completion's sake than enjoyment.
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